On March 20, the Calandra Institute hosted professor and author FK Clementi, who read from her captivating and charming memoir, South of My Dreams. Clementi, born and raised in Rome, came to the US as a young student after having nursed romantic fantasies about New York City. It's safe to say that her trajectory to teaching Holocaust studies at the University of South Carolina was an extremely atypical one for an Italian immigrant: The details are by turns funny, alarming, and downright horrifying. It is a cautionary tale like no other from a newly minted American citizen who has looked at the US from many angles and has a rich and appropriately complex impression of the nation.

On the anniversary of the death of Professor Bob Viscusi, poet, teacher, theorist, friend of the Calandra Institute, we hosted a commemoration of him and his work. The event included readings from the Festschrift put together for him in 2021, This Hope Sustains the Scholar, as well as remembrances from colleagues and friends, some from New York City and others from Italy, joining via ZOOM. Click here to watch the entire event.

The Institute is currently hosting the exhibition Edward E. Boccia: Postwar American Expressionist, curated by Rosa Berland. The show will be on view until March 6, 2025, and the gallery hours are Monday through Friday, 9am to 5pm. Free and open to the public. Click here to see the full catalog of the exhibited works.

Last week, Calandra's Dr. Joseph Sciorra delivered a talk at Casa Italiana Zerilli-Marimò on the topic of labor activist Pietro "Pete" Panto. Sciorra spearheaded a successful effort last year to have Panto's headstone made and installed in St. John's Cemetery on Long Island, where the longshoreman's remains are buried. Click here to watch the entire presentation at Casa Italiana.  

The Vernacular Architecture Forum has awarded Joseph Sciorra its 2024 Catherine W. Bishir Prize for his article “‘The Strange Artistic Genius of This People’: The Ephemeral Art and Impermanent Architecture of Italian Immigrant Catholic Feste,” published in the Fall/Spring 2023 issue of Buildings & Landscapes: Journal of the Vernacular Architecture Forum. Sciorra looks at late nineteenth and early twentieth-century mobile shrines and street chapels—Baroque confections as tall as sixty feet or as wide as buildings, shaped like altars, towers, or even land-faring boats. Italian American craftsmen created these for their immigrant community feste, or—as Sciorra calls them—“cultural-religious extravaganzas.” He shows the reader these works through the eyes of their intended audiences, as well as those of outsiders—photographers, journalists, visual artists—whose potential biases he carefully considers. Sciorra examines, “how these transient objects of devotion … enacted and proclaimed a diasporic community of believers that challenged hegemonic notions of artistry, religion, the built environment, and the public sphere.” He further expands his gaze to contextualize his hand-crafted sources of study as, in his words, “part of the Progressive era’s xenophobic climate and, in particular, the picturesque gaze that racialized and othered Italian immigrants.” An online copy of the article is accessible here.